The solution is a display gift box since presents like this are mainly given at celebrations and often proudly shown to all guests.

The first Croatian numismatic euro coin, “Contour Necktie,” consists of two coins of different precious metals – silver and gold. Nikola Vudrag, Bachelor of Arts, author of the coin, depicted Croatian soldiers who fought under the French flag in the Thirty Years’ War in the 17th century. They wore a scarf around the neck, known today as a cravat.

The product packaging is an homage to this iconic cultural and fashion item. The hardboard case is covered in a dark blue suit and wears a red tie composed of the letters of the word “kravata” (“tie”). The paper has a fabric texture, and the tie is made in red-patterned holographic foil.

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The story of this product is inspired by discovery, guided by the trait innate to all humanity – the desire to explore. Over the millennia, human research endeavors have led to sailing the sea, discovering new knowledge, conquering the earth and sky, and exploring space. The packaging concept of the Hum – Planetarium Višnjan set evokes this line of research and leads through an experience in which complete preciousness is gradually revealed.

Special attention was paid to the exclusive packaging in which this special set is placed: a hard laminated box, covered with a special dark blue paper, opens like a map, and leads to the valuables, providing an experience of discovering immense value. The opening process is an experience in itself. By unfolding from smaller to larger, each step reveals one part of the set, with golden text guiding you through it. When fully opened, the Hum and Zvjezdarnica Višnjan gold coins are revealed, on a surface illuminated by many tiny lights, like the starry sky. Along with the gold coins, the box also contains protective cotton gloves and a magnifying glass for viewing the smallest coin.

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Many countries on the shores of the great sea know the legend of how St. Peter once caught the John Dory fish and left fingerprints on its body; that’s why this sea delicacy is still called by his name: Šanpjer, Sant-Pierre, Sampé. Inspired by an ancient tale, we gave the name Sampé to a premium gin that pays tribute to the Mediterranean — a mythical place where the divine touch permeates nature and its precious gifts.

The originally designed bottle has the shape of the sea surface on the front. The brand name is mirror printed on the back of the bottle, so on the front, it is visible through sea waves and the gin liquid which gives the impression that the brand name Sampé is in the water. This position deforms the typography and creates exciting shapes and structures that change by turning the bottle in hand or changing the viewing angle. The typography Rector, created by Hrvoje Živčić, was selected for the ideal combination of monumental and graceful.

The light blue-colored glass and wooden stopper in the conical shape of a sailor’s cap contribute to the overall Mediterranean feel.

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The name is coined from two words from the Venetian dialect one can still hear in Istria today: sal = salt and sol = sun. Salt and sun strongly associate with summer and physical activities, exposing the skin to sun rays and covering it with salt from seawater dispersed by the wind or evaporated after swimming. A simple, short, and memorable name that sounds lyrical and poetic and gives the impression of the strength and dynamism of a genuine sports brand at the same time.

The identity is built on the principles of contemporary, active, sporty, dynamic, and strong. A contrasting and dominant logo carries the identity and appears as the “S” monogram in some applications. The typography Zico, created by Marko Hrastovec, draws inspiration from sports aesthetics.

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The motifs are connected to the story of Zagreb – a story about culture, architecture, museums, food, parks, customs, and people. The selected illustration style is closely related to the idea of ​​the product and the presentation of Zagreb in the BITE ART way. BITE Zagreb is the result of the collaboration of project author Ana Šerić, designer Izvorka Jurić, and illustrator Tea Jurišić.

When opening the package, the bottom of the box dissolves into a “bowl” holding biscuits, with an illustration of a Zagreb saucer. This packaging encourages the traditional Croatian gingerbread with Zagreb motifs to be “served” and tasted in the company of family and friends.

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Kadinela is a brand of a group of olive products, primarily a line of extra virgin olive oil, and then other olive products and natural cosmetics.

The brand’s designed name – Kadinela, is an old expression from the Kaštela and Split language, meaning necklace. The melodious pronunciation is associated with Dalmatia, and the meaning is represented by the seven Kaštela lined up along the coast. The names of all the Kaštela that form a chain with the logo are an important part of the identity. The joining of two olives that overlap to form a heart illustrates the idea of “out of love”. So, the story of the love of Miljenko and Dobrila, and the union of two families of olive growers, gets a happy ending.

The basic element – a heart created by joining two olives – is rendered spatially on the label. The relation between the full and empty parts of the two folded labels brings a new dimension, and the different structures and tones of the paper emphasize the junction. Products within the varietal and flavored oils sub-line are coded with pastel colors and names.

Style, typography, use of materials, and specific techniques give the identity a premium look, realize the need for the product to function in modern times, and communicate to customers looking for higher value products.

The digital version of the “olive heart” also creates a drop inside the heart shape by overlapping.

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Playing cards and their vertical symmetry are logically imposed as direction. So, the brand is designed as an ambigram logo — a designed word that reads the same when turned upside down. The design conveys associations with the phrases “You were dealt a good hand” or “lucky deal”. Eternal optimists whose glass is always half full and only lose in poker if they don’t have a good time will find themselves in the slogan “Either way”.

The selection of the scale of colors, materials, and techniques positions the product in the premium segment, with the necessary balance between the design of the classic approach of lager and craft beer design.

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The brand name describes the next, higher level of agricultural products – innovative food for the future. As this brand takes us to “the next level”, the concept of the brand identity illustrates the process that raises us to the next steps in the green food categories. A modular logo system has been defined for the long brand name to enable abbreviated versions for use in digital media.

The group comprises 40 products packaged in different shapes and sizes, the most common of which is a 25 kg paper bag, organized into 3 product lines – proteins, starches, and accompanying products, with a plan to expand the number of products in the future.

Considering a large product group, a typographic approach was chosen when setting up the packaging design system. Bold, strong typography – a contemporary approach with a humanist sans serifs Diurnal that provides superb legibility at all sizes. The identity of the product group is built with brand design, product naming system, and color-coding for distinguishing the lines.

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The solution is a presentation gift box. This type of product is mainly handed out at celebrations and is often proudly presented to all guests.

The packaging is a papier-mâché box, featuring visible silver or gold details, depending on whether it holds a gold or silver coin. The part of the box with the coin is designed as a Croatian square, i.e., the entire inner base of the box is a red cube carrying the product.

A gold coin and a silver coin with a motif of a Dalmatian are the first coins of the Croatian Mint minted as colored coins issued in extremely limited series – a gold coin in a series of only 101 pieces, and a silver coin in a series of 500 pieces. 

“Dalmatian dog” is the first coin from the series “Autochthonous Croatia” which will represent coins with the figures of Croatian indigenous animals. In 1994, the International Canine Federation (FCI – Fédération Cynologique Internationale) recognized the Dalmatian as indigenous Croatian breed. In his conceptual design, the designer of the coin, Nikola Vudrag, BA in Art, combined the recognizable features of this breed and parts of the map of the Republic of Croatia. The spots typical for a Dalmatian breed are designed in the shape of Croatian islands.

The spots of a Dalmatian from the coin are the primary visual motif of the packaging in combination with the logo of the “Autochthonous Croatia” series, with which the letter signs are organized as the Croatian chessboard.

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